Hasselblad · Medium Format SLR · Hasselblad V

Hasselblad 555ELD

Medium format Medium Format SLR Discontinued leaf shutter · medium format · studio portrait · digital-back era · meterless · 6x6

Put a subject against a bright window at noon and add a flash to fill the shadow side of the face. On a 35mm SLR the ambient light blows out before your strobe ever fires, because the focal-plane shutter syncs at maybe 1/250. The 555ELD does not have that problem. The leaf shutter lives in the lens and flash-syncs at every speed up to about 1/500, which means you can shoot wide open in full sun, kill the background with shutter speed, and put your fill exactly where you want it. That is daylight balance a focal-plane body cannot give you.

It is the last of the 500-series electric Hasselblads, made from 1998 to 2006. The "EL" is the motor, a built-in winder that advances the film and cocks the shutter for you, so you are not turning a crank between frames. The "D" added a databus contact that talks to digital backs, which is why a lot of these ended up bolted to early Imacon and Phase One capture units when studios went hybrid. It is a 6x6 SLR on the V mount, so the whole catalog of Zeiss C and CF glass bayonets on, including the 80mm Planar that traditionally anchors the V system and remains one of the best normal lenses cut for medium format.

Shooting it is a waist-level affair unless you fit a prism. You look down into the ground glass, the image is bright and laterally reversed, and you focus by eye on a big square of frosted glass that shows you exactly the depth of field you are buying. Loading is the famous Hasselblad A12 magazine: thread the film onto the spool, wind to the arrow, drop the insert in the shell, clip it to the back. Backs swap mid-roll, so you can run color and black and white on the same body in the same hour. The whole thing is dense and machined, heavy enough that it anchors a tripod head without complaint.

The honest weakness is that none of this is cheap to keep alive. There is no meter in the body at all, the magazines need their light seals and foam refreshed, and a proper CLA on a leaf-shutter lens runs real money because each lens carries its own shutter to service. A jammed CF lens is its own repair, not a body fix. People cross-shop it against the cheaper mechanical 501CM, and plenty decide they do not need the motor and the battery dependence that comes with it.

For metering, this body never had a cell of its own, so an incident reading from the Zone Light Meter app sets your base exposure and the leaf shutter takes it from there. Read the scene, then read it again with your fill flash in mind, and let that all-speed sync pair with the daylight number you just took. Today the 555ELD sits at the top of the V-system used market, bought by studio shooters and film-digital crossover holdouts who want the motor and the databus, and skipped by purists who would rather hand-wind a 503.

How the app handles this body

  • Metering: Take an incident or spot reading in the app and place your shadows on a chosen zone, then dial that exposure in. On a body with no meter, or one whose cell has drifted with age, the app is the meter you trust.
  • Leaf shutter: The shutter sits in the lens, so it syncs flash at every speed instead of topping out at a body X-sync. Daylight fill stays open at any aperture, and the app's shutter ladder covers the leaf range.

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