Agfa · ISO 100 Color negative
Agfa HDC Plus 100
Agfa HDC Plus 100 was the slow end of Agfa's consumer color line in the 1990s and early 2000s, sold in 35mm only and tuned for everyday daylight shooting on point-and-shoots. The HDC stood for High Definition Color, which was marketing more than chemistry: a conventional consumer C-41 emulsion at ISO 100, finer-grained than the 200 sibling and meant to print at drugstore counters next to Kodak Gold and Fuji Superia.
The palette leaned warm without going golden. Reds came up slightly muted, blues stayed honest, and skin tones rendered cleaner than Kodak Gold 100 of the same era without the cyan cast some Fuji consumer stocks brought to overcast scenes. It was the kind of film a European wedding lab would push through the minilab without flagging for correction. Predictable rather than characterful.
Grain at ISO 100 was tight enough for the 4x6 prints most buyers wanted, and held up acceptably to 8x10 if the scan was decent. Against Kodak Gold 100 it was a touch softer in contrast and a touch warmer overall. Against Fujicolor 100 it sat in roughly the same class with a less green-shifted greens response.
Latitude was the usual two stops over and one under that consumer C-41 emulsions are built for. Shoot it at box, light it from the front in mid-morning, and the lab gets you a clean print. There is nothing about HDC Plus 100 that rewards exposure experiments.
Production wound down around 2001 when Agfa replaced the HDC Plus line with the Vista line. The remaining Agfa consumer color stocks then disappeared entirely with AgfaPhoto's insolvency in May 2005. Surviving rolls are expired stock from cold storage, generally selling on eBay and through European film dealers. Expect color shifts toward magenta and a meaningful loss of true blue. Frozen stock from the late 1990s shoots cleaner than warm-stored stock from 2003.
Reciprocity exponent is 1.2. Zone Light Meter applies the correction past one second. A 10-second meter reading turns into about 16 seconds at the negative, and a 30-second reading climbs to roughly a minute. The math is gentle enough to handle without much bracketing.
How the app handles this stock
- Box speed: ISO 100. Picker exposes pull/push chips so you can shoot it at any speed you want and the meter follows.
- Reciprocity: Above one second the app raises metered time to the power of 1.20.
- Expired film: if you load an old roll, set the expiry year and storage in the app and the ISO scales for you. Color negative decay rates are baked in.