Fujifilm · ISO 100 B&W negative

Fujifilm Neopan SS 100

B&W negative ISO 100 Discontinued long production run · orthopanchromatic · Plus-X analog · ISO 100

Neopan SS arrived in 1952 as a roll film and reached 35mm cassettes in 1953, the first medium-speed Fuji emulsion that could legitimately handle indoor and night photography in the way Plus-X had recently made possible for Kodak shooters. The marketing line was a 2.5x speed gain over Fuji's existing SP stock. The film ran for fifty-nine years before being discontinued in 2011, which puts it among the longest production runs of any black and white film in history.

Spectrally it sat close to Plus-X 125. Orthopanchromatic sensitivity, fine cubic grain, a moderate contrast curve, and a wide exposure latitude that forgave the meter errors common in 1950s rangefinder shooting. Compared to Plus-X the SS ran slightly warmer in its mid-tone rendering and slightly softer in highlight shoulder. Most Western reviewers who shot both said the differences mattered only to photographers who spent serious darkroom time.

Developer choice was where the SS rewarded patience. Rodinal at 1:50 produced the sharpest grain and the highest acutance, especially in 120 where the format hid grain anyway. D-76 1:1 gave the cleanest tonality with grain a touch coarser than T-Max 100 at the same speed. The film tolerated push to 200 reasonably well. Past that it lost shadow detail quickly.

For an ISO 100 film the grain was visible but never intrusive. Working photographers used it for documentary, family, and street through the 1960s and 1970s before faster stocks took over the available-light segment. After Acros launched in 2000, Fuji's own marketing positioned SS as the budget option in the same speed class. Available historically in 35mm, 120, and sheet sizes. What is left today sits in expired freezer stock and old camera-shop drawers.

Reciprocity exponent is 1.31. Zone Light Meter applies the correction past one second. A metered 30-second reading lands near 90 seconds at the negative. For interior work at small apertures on a tripod, that threshold turns up routinely and the correction is large enough to matter.

How the app handles this stock

  • Box speed: ISO 100. Picker exposes pull/push chips so you can shoot it at any speed you want and the meter follows.
  • Reciprocity: Above one second the app raises metered time to the power of 1.31.
  • Expired film: if you load an old roll, set the expiry year and storage in the app and the ISO scales for you. B&W negative decay rates are baked in.

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