Kodak · ISO 500 Cinema

Kodak Vision2 500T 7218

Cinema ISO 500 Discontinued tungsten-balance · low-light-cinema · nolan-era · fine-grain-500T

7218 is the 16mm version of the Vision2 500T cinema negative Kodak shipped in 2002, and the stock most people think of when they say "that 2000s Hollywood night look." Wally Pfister ran the 35mm 5218 sibling through three Christopher Nolan films back to back: Batman Begins in 2005, The Prestige the next year, The Dark Knight in 2008. Pfister had a habit of rating it at EI 400 and developing normally, which buys a slightly fatter negative and the inky low-key palette those films are known for.

The 7218 designation specifically points to the 16mm perforation pattern. Kodak made the same emulsion in 35mm as 5218 and in Super 8 cassettes. Chemistry is identical across formats; only the base and perforations change. ECN-2 processing throughout, which is the cinema lab path, not the C-41 still shooters know.

Grain is the finest you would get in a tungsten 500-speed product up to that point. Vision2 introduced a redesigned dye-coupler architecture that pushed shadow detail past the original Vision 500T 5279 it replaced. Compared with the Vision3 500T 5219 that took over in 2007, Vision2 sits slightly grainier and slightly less malleable in the highlights. Most working DPs preferred V3 once it shipped. V2 has aged into the look of a specific era.

Use it as a tungsten night film. Daylight needs an 85B filter or a one-stop overexposure. Push processing past one stop produces noticeable grain growth, which Peter Zeitlinger leaned into for Herzog's Bad Lieutenant in 2009.

Kodak discontinued Vision2 500T in 2009 once Vision3 was settled across all three gauges. Surviving 16mm rolls show up at film resellers and on eBay. Cold-stored stock is fine; warm-storage stock from the discontinuation years shows base fog now.

Reciprocity exponent is 1.10. Zone Light Meter applies the correction past one second. A metered 10-second exposure becomes roughly 13 seconds at the negative. At motion-picture pull-down speeds this never engages; for the still-photo experiments people do with reclaimed cans, it matters a little.

How the app handles this stock

  • Box speed: ISO 500. Picker exposes pull/push chips so you can shoot it at any speed you want and the meter follows.
  • Reciprocity: Above one second the app raises metered time to the power of 1.10.
  • Expired film: if you load an old roll, set the expiry year and storage in the app and the ISO scales for you. Cinema decay rates are baked in.

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