Fujifilm · ISO 160 Cinema

Fujifilm Eterna Vivid 160T 8543

Cinema ISO 160 Discontinued Motion picture high-saturation · tungsten-160 · oscar-credit-list

Eterna Vivid 160T 8543 was Fuji's high-saturation tungsten cinema negative, launched in 2007 as the upmarket cousin to the standard Eterna 250T. The Vivid line was the Fuji answer to cinematographers who found the regular Eterna palette too muted: deeper contrast, sharper color separation, blacks that read as genuine black on a DI timeline. Tungsten balance at 3200K, ISO 160.

The credit list reads like an Oscar ballot. Slumdog Millionaire (2008) was shot partly on 8543. The King's Speech (2010) ran cans of it through Danny Cohen's cameras. Black Swan, Green Zone, J. Edgar, The Butler, Kynodontas, and Fish Tank all carry 8543 in their credits. For a stock that lasted only six years before Fuji shut the line down, that is a heavy resume.

Where the standard Eterna sits cool and restrained, the Vivid stock pushes contrast and saturation closer to a slide-film aesthetic without losing the latitude a negative gives you in post. Compared with Kodak Vision2 200T at the same speed bracket, 8543 ran cooler and more saturated, particularly in skin under tungsten where the warmth Kodak baked in goes the other direction on the Fuji curve.

For still use the stock cross-processes through C-41 with the usual rem-jet pre-wash, and the higher contrast translates to a punchier still print than the regular Eterna 400T gives. Rate it at box for a faithful look. Drop to 100 for cleaner shadows in mixed light. The cool palette works for night street and urban architecture; for skin, expect a colder rendering than any Vision3 stock.

Fuji shut down all motion picture film production on March 31, 2013. Short ends and re-canned bulk circulate through cinema supply dealers and Japanese resellers. The 16mm sibling is 8643.

Reciprocity exponent is 1.10. Zone Light Meter applies the correction past one second. A metered 10-second exposure becomes about 14 seconds at the negative. The cinema workflow rarely held a frame past 1/48th of a second, so the correction matters only when you carry this stock into still tripod work.

How the app handles this stock

  • Box speed: ISO 160. Picker exposes pull/push chips so you can shoot it at any speed you want and the meter follows.
  • Reciprocity: Above one second the app raises metered time to the power of 1.10.
  • Expired film: if you load an old roll, set the expiry year and storage in the app and the ISO scales for you. Cinema decay rates are baked in.

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