Kodak · ISO 1000 Color negative

Kodak Kodacolor VR-G 1000

Color negative ISO 1000 Discontinued high-speed consumer · first T-grain era · obscure variant

Kodacolor VR-G 1000 is a tricky corner of the Kodak catalog to nail down. The standalone Kodacolor VR 1000 was Kodak's flagship high-speed color print film from 1983 to 1986. When the Gold-branded VR-G line arrived in 1986 at 100, 200, and 400 speeds, the 1000 was quietly dropped rather than carried forward. Rolls labeled VR-G 1000 do show up in old sealed multi-packs, which suggests a brief overlap or regional SKU rather than a long production run. I have not found a Kodak data sheet specific to VR-G 1000 to confirm when it was made.

What is documented: the high-speed Kodacolor emulsion at ISO 1000 was part of the first Kodacolor VR generation that brought Kodak's T-grain tabular silver halide crystals to consumer color negative, which Kodak rolled out across the VR 100, 200, and 400 in 1982 before pushing the same technology to ISO 1000 the following year, because conventional cubic-grain emulsions at that sensitivity produced grain you could see across a room. Even with T-grain, this stock is grainy by modern standards. Compared to Fuji Super HR 1600 of the same era, you get a similar muddy-shadow, warm-cast look that reads as 1980s available-light snapshot.

It is C-41 process, so labs can still develop it. Rate it at 1000 if you trust your meter and your storage. Rate it at 640 or 400 if the roll has been sitting warm for thirty years, because age cost is mostly paid by the shadows. Scan rather than optical print. Modern scanners are kinder to muted aged color than additive printers were.

Latitude is narrow for a print film. A stop over starts to wash; a stop under goes to mud. There is no good push path in C-41.

Format was 35mm only. No 120, no sheet. Treat any surviving freezer stock as a curiosity rather than a production tool.

Reciprocity exponent is 1.2. Zone Light Meter applies the correction past one second. At ISO 1000 you rarely cross that threshold in available light, which is the whole reason the film existed. For tripod work on dim interiors the math matters: a 4-second meter reading runs closer to 6 seconds at the negative.

How the app handles this stock

  • Box speed: ISO 1000. Picker exposes pull/push chips so you can shoot it at any speed you want and the meter follows.
  • Reciprocity: Above one second the app raises metered time to the power of 1.20.
  • Expired film: if you load an old roll, set the expiry year and storage in the app and the ISO scales for you. Color negative decay rates are baked in.

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