Lomography · ISO 800 Color negative

Lomography 800

Color negative ISO 800 In production Kodak-sourced · high speed · ISO 800 · low light

Lomography 800 is the open secret of the budget color world. The emulsion is widely understood to be a Kodak product repackaged for the Lomography catalog, with side-by-side tests over the years pointing variously to Kodak Max 800, an older Kodacolor VR family stock, and at times something very close to Portra 800. Lomography has never confirmed the OEM publicly. What you can confirm from test rolls is that the response curve sits inside the Kodak high-speed color negative house style: gentle skin tones, restrained reds, good shadow latitude, and the slight blue-cyan lean that defines Kodak's faster portrait stocks.

At box speed the film is honest. Rated 800 in mixed indoor light, it gives you usable shadows and clean midtones without the heavy magenta cast that Lomography's experimental stocks like Metropolis tend to show in low light. Shooters who treat it as a Portra substitute rate it at 400 or 500 for a half stop of overexposure cushion, the same trick wedding photographers use on Portra 400 to push skin tones into the creamier part of the curve. Grain is moderate for the speed, finer than CineStill 800T and similar to an earlier-generation Portra 800.

The practical use case is dim indoor and late afternoon. Concerts, restaurants, golden hour streets. Daylight at f/16 puts you at impossibly fast shutter speeds, so this is the wrong choice for a beach trip unless you carry a neutral density filter. Compared with Kodak Portra 800 at twice the price, the visible difference at scan is minor. Compared with CineStill 800T, you trade the halation bloom for cleaner highlights.

Available in 35mm and 120 in three-roll packs through Lomography retail and a handful of third-party shops. Processing is standard C-41 at any lab.

Reciprocity exponent is 1.31. Zone Light Meter applies the correction past one second on the standard curve. A 30-second meter reading climbs to about 90 seconds at the negative, which matters for night street work and dim interior tripod shots. That threshold comes up often in concert backstages or low-lit interiors.

How the app handles this stock

  • Box speed: ISO 800. Picker exposes pull/push chips so you can shoot it at any speed you want and the meter follows.
  • Reciprocity: Above one second the app raises metered time to the power of 1.31.
  • Expired film: if you load an old roll, set the expiry year and storage in the app and the ISO scales for you. Color negative decay rates are baked in.

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